Track 7 recorded on Februtracks 1, 2, 5, 6, 8-10 on February 9 tracks 3 and 4 recorded on May 20, 1963. Tracks 9 and 10 not part of original LP release.
" A Sleepin' Bee" ( Arlen, Capote) – 4:10." Bemsha Swing" ( Denzil Best, Monk) – 2:56." Just You, Just Me" ( Jesse Greer, Raymond Klages) – 2:37." Hey There" ( Richard Adler, Ross) – 4:31." Stella by Starlight" ( Young, Washington) – 4:52.Overdubs were seldom in the age of Rudy Van Gelder- and. " Spartacus Love Theme" ( Alex North) – 5:10 That Bill Evans ventured into overdubbed pianos for this session was in 1963 a historic occasion." How About You?" ( Lane, Ralph Freed) – 2:50 Round Midnight How About You Love Theme From Spartacus Blue Monk Stella By Starlight (Album Version) Hey." 'Round Midnight" ( Monk, Williams) – 6:35.
The musical vocabulary is complex enough that the simple beauty of the songs, and Evans’ playing, is at times lost. However, for the casual fan, I would not suggest this disc. this glimpse of the artist at a heightened level of expression is very rewarding indeed. Evans' work on the ten tunes included here is truly inspired and amazing to behold. was an instant classic for the jazz community. Nastos wrote:Ĭertainly one of the more unusual items in the discography of an artist whose consistency is as evident as any in modern jazz, and nothing should dissuade you from purchasing this one of a kind album that in some ways set a technological standard for popular music – and jazz – to come. Writing for Allmusic, music critic Michael G. It received a 5-star review in DownBeat in 1963. During the mid-1970s Bill Evans collaborated with the singer Tony Bennett on two critically acclaimed albums: The Tony Bennett/Bill Evans Album (1975) and. In 1966, he met bassist Eddie Gmez, with whom he worked for the next 11 years. The album earned Evans his first Grammy Award in 1964 for Best Jazz Instrumental Album, Individual or Group. In 1963, Evans recorded Conversations with Myself, a solo album produced with overdubbing technology.
#Bill evans conversations with myself professional#
Alongside these are three compositions by Thelonious Monk, and one Evans original, "N.Y.C.'s No Lark", commemorating Evans' friend and fellow jazz pianist Sonny Clark, who died one month before Evans began work on the album.Įvans followed Conversations with Myself with Further Conversations with Myself (1967) and New Conversations (1978), both recorded in a similar vein.Ĭritical reception Professional ratings Review scores The album features mostly traditional pop standards. Recording with Glenn Gould's piano, CD 318, at studio sessions on February 6 and 9, and May 20, 1963, Evans used the method of overdubbing three different yet corresponding piano tracks for each song. The AllMusic review by Scott Yanow awarded the album three out of five stars say,ing "The results are less memorable than one might expect for Bill Evans seemed always at his best in trio settings." Track listing Īll songs by Bill Evans unless otherwise noted.Plays the Theme from The V.I.P.s and Other Great SongsĬonversations with Myself is a 1963 album by American jazz musician Bill Evans. Reception Professional ratings Review scores All the pieces are solo with piano overdubs, a method Evans used on his earlier release Conversations with Myself. (1968) Further Conversations with Myself is a 1967 album by jazz pianist Bill Evans. The first release recorded in this manner was Conversations with Myself (1963) followed by Further Conversations with Myself (1967).Ī noteworthy difference in this release is that Evans plays the Fender Rhodes electric piano as well as his customary acoustic piano. (1967) Bill Evans at the Montreux Jazz Festival. New Conversations is Evans' third and final release in which he overdubs different piano tracks with his previously played track. New Conversations is an album by the American jazz pianist Bill Evans, released in 1978. Pianist Bill Evans(1929-80) recorded this controversial album at Webster Hall, New York City on February 6, 9 & 20, 1963.
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